Ed
2nd October 2005, 12:46 PM
as opposed to photographs of real Ghosts.....
At the Met http://www.nytimes.com/2005/09/30/arts/design/30kimm.html
Very amusing photos.
Gotta love this:
Posing for a carte de visite, the vicomte, after Disdéri had snapped several dour shots of him in the de rigueur black frock coat and top hat, decided he would remove his clothes, all except socks and shoes, don what looks very much like a hot water bottle on his head but was in fact some sort of helmet, hold a shield and pretend to be a ghost. His friend (raised eyebrows, forefinger scratching forehead) acts as if the apparition startles him. (He doesn't look half startled enough.) Disdéri also sloshed around some chemical on the exposed negative of the naked vicomte to make the image look less corporeal.
and this apt point:
...it is, at heart, also a sneakily serious affair. Its subjects include the depths of human gullibility and the conjuring power of photography, whose technology, we may forget in the cynical day of digital manipulation and Photoshop, seemed unfathomable to so many people a century and more ago.
And because I know that you are very, very, very busy people, I herewith provide the link to the exhibit, free of charge...
http://www.metmuseum.org/special/Perfect_Medium/images.asp
To whet your appatite, feast your eyes on this...
http://www.metmuseum.org/special/Perfect_Medium/images/Thiebault.L.jpg
At the Met http://www.nytimes.com/2005/09/30/arts/design/30kimm.html
Very amusing photos.
Gotta love this:
Posing for a carte de visite, the vicomte, after Disdéri had snapped several dour shots of him in the de rigueur black frock coat and top hat, decided he would remove his clothes, all except socks and shoes, don what looks very much like a hot water bottle on his head but was in fact some sort of helmet, hold a shield and pretend to be a ghost. His friend (raised eyebrows, forefinger scratching forehead) acts as if the apparition startles him. (He doesn't look half startled enough.) Disdéri also sloshed around some chemical on the exposed negative of the naked vicomte to make the image look less corporeal.
and this apt point:
...it is, at heart, also a sneakily serious affair. Its subjects include the depths of human gullibility and the conjuring power of photography, whose technology, we may forget in the cynical day of digital manipulation and Photoshop, seemed unfathomable to so many people a century and more ago.
And because I know that you are very, very, very busy people, I herewith provide the link to the exhibit, free of charge...
http://www.metmuseum.org/special/Perfect_Medium/images.asp
To whet your appatite, feast your eyes on this...
http://www.metmuseum.org/special/Perfect_Medium/images/Thiebault.L.jpg