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Old 29th October 2011, 01:59 PM   #1
JJM 777
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Tintin Flight 714

I have been reading Tintin albums to my son, as a substitute for fairy tales. Today was the turn of the Flight 714 album.

Everything as always, Tintin chasing evil criminals, until the last few pages feature a bit un-Tintinly things: a telepathy machine, hypnotism, then a UFO abducting Tintin and the fellows, with an explanation that they have been visiting earth for thousands of years and the ancient statues look like astronauts of the time.

I think I am gonna sell this one at jumble sale.
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Old 29th October 2011, 02:03 PM   #2
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Originally Posted by JJM 777 View Post
I have been reading Tintin albums to my son, as a substitute for fairy tales. Today was the turn of the Flight 714 album.

Everything as always, Tintin chasing evil criminals, until the last few pages feature a bit un-Tintinly things: a telepathy machine, hypnotism, then a UFO abducting Tintin and the fellows, with an explanation that they have been visiting earth for thousands of years and the ancient statues look like astronauts of the time.

I think I am gonna sell this one at jumble sale.
This is hardly the only time fantastical things have happened in that series. Consider the levitating monk, the fakirs, and the incan voodoo.
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Old 29th October 2011, 02:08 PM   #3
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Tintin in Tibet features a yeti. The Seven Crystal Balls and Prisoners of the Sun feature a lost inca civilisation with various mystical abilities.

Flight 714 may be a little non tintin but then all of the last 3 tintin books are a bit experimental.
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Old 30th October 2011, 07:12 AM   #4
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Tintin in Chicago features some... Extraordinary climbing abilities.



Oh, and Temple of the Sun also has the absurd part where Tintin perfectly predicts the moment of an eclipse, to the second.

But I love Tintin, so so much.
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Old 30th October 2011, 07:18 AM   #5
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Tin Tin was imo always a little bit dodgy, something about a young lad hanging around with a moustachioed and bearded rough old sea captain didn't seem right to my young impressionable mind, so I went with Asterix instead. That was ok, because I thought that Obelix was a girl,
well he had pigtails
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Old 30th October 2011, 10:16 AM   #6
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Flight 714 is still one of my favorites in the series. Apart from the alien ending, its storytelling is perfect, the gags are fantastic (Haddock dumping the "sani-cola" and killing a potted tree still cracks me up), and the details in the drawings are masterful.

As far as the aliens are concerned, I don't have a problem with them per se. As has been noted, there was a lot of woo already in the series, and I do like some woo in my fiction. From time to time.

But I think the ending is not very satisfactory. Too much Deus Ex Machina, and too little details about the aliens considering how much pages are wasted on them. For instance, the whole page where the aliens pick up the baddies could have been skipped or shortened. After all, there is this huge wrap-up section at the end where some detail could have been told.

But overall, I still like the whole.
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Old 30th October 2011, 12:37 PM   #7
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Ancient astronauts are great for fiction, what's the problem?

And as was pointed out, there's always been a few minor supernatural events throughout the whole series, so to have a problem with ancient astronauts but not with levitating monks or voodoo and the likes, seems inconsistent to me.
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Old 30th October 2011, 01:38 PM   #8
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I have no problem when a cartoon features a crazy professor who invents a truth serum or something, which is currently not known to be possible. A fictitious character is able to do something fictitious, the reader understands that he cannot contact this fictitious person to acquire his amazing services, because he does not exist.

The ending of Flight 714 crosses the line for me, because it makes claims about something very real: history, ancient cultures and their statues, and the existence and continuing activities of UFOs.
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Old 30th October 2011, 01:45 PM   #9
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Quote:
The ending of Flight 714 crosses the line for me, because it makes claims about something very real: history, ancient cultures and their statues, and the existence and continuing activities of UFOs
However, I'm pretty sure it's marketed as fiction. Don't be a Gradgrind.

I don't have a problem with fiction, it's a lot of fun. The problem starts when you can't separate fact from fiction. Then you are either nuts or a liar.
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Old 30th October 2011, 02:39 PM   #10
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Originally Posted by Marduk View Post
Tin Tin was imo always a little bit dodgy, something about a young lad hanging around with a moustachioed and bearded rough old sea captain didn't seem right to my young impressionable mind, so I went with Asterix instead. That was ok, because I thought that Obelix was a girl,
well he had pigtails
"He" was Pippi Longstocking in drag.
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Old 30th October 2011, 02:52 PM   #11
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Originally Posted by JJM 777 View Post
I have no problem when a cartoon features a crazy professor who invents a truth serum or something, which is currently not known to be possible. A fictitious character is able to do something fictitious, the reader understands that he cannot contact this fictitious person to acquire his amazing services, because he does not exist.

The ending of Flight 714 crosses the line for me, because it makes claims about something very real: history, ancient cultures and their statues, and the existence and continuing activities of UFOs.
Don't the other books imply that the incans had real magic and that tibetan monks can really levitate?
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Old 30th October 2011, 04:37 PM   #12
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Originally Posted by JJM 777 View Post
The ending of Flight 714 crosses the line for me, because it makes claims about something very real: history, ancient cultures and their statues, and the existence and continuing activities of UFOs.
You mean like there being Indian tribes trying to kill people just outside Chicago?
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Old 30th October 2011, 05:30 PM   #13
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Or Incas doing voodoo (lol), etc... it doesn't "claim" anything dude, it's just fiction like all the rest.
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Old 30th October 2011, 08:25 PM   #14
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It is fiction with that wonderful flavour of "Having never left Belgium".
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Old 30th October 2011, 10:49 PM   #15
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Im a little worried this is the thing that would cross the line.

I love Tintin, but if I was going to consider anything inapropriate it would be the racism of Tintin in Africa. Or the (probably forced under Nazi occupation) all axis goodguys vs allied badguys in the Shooting Star (giant spiders are real right?) Or other political undertones.
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Old 31st October 2011, 06:40 AM   #16
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Watched this last night - made for intersting viewing on the origins of Tintin.
http://www.bbc.co.uk/programmes/b016xjqx
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Old 31st October 2011, 08:42 AM   #17
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Originally Posted by Tomtomkent View Post
I love Tintin, but if I was going to consider anything inapropriate it would be the racism of Tintin in Africa.
You mean Tintin in Congo? Hergé himself did not like it, and only wrote it because the king of Belgium asked him to after visiting Congo.
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Old 31st October 2011, 12:26 PM   #18
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No such person as Tintin. There is only Asterix.
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Old 1st November 2011, 07:38 AM   #19
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Originally Posted by TubbaBlubba View Post
Oh, and Temple of the Sun also has the absurd part where Tintin perfectly predicts the moment of an eclipse, to the second.
I thought he picked that up from reading a scrap of newspaper he found in his cell?
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Old 1st November 2011, 03:47 PM   #20
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Originally Posted by dogjones View Post
No such person as Tintin. There is only Asterix.
Those Belgians are crazy.
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Old 1st November 2011, 04:05 PM   #21
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Originally Posted by KDLarsen View Post
I thought he picked that up from reading a scrap of newspaper he found in his cell?
Yes, but he basically says, "OK, bye, Sun!" and "Okay, hi, Sun!" a few moments later. There's no way he could predict it with that accuracy without extremely accurate clocks and data.
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Old 1st November 2011, 06:13 PM   #22
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Originally Posted by TubbaBlubba View Post
Yes, but he basically says, "OK, bye, Sun!" and "Okay, hi, Sun!" a few moments later. There's no way he could predict it with that accuracy without extremely accurate clocks and data.
This is not new.
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Old 2nd November 2011, 10:53 AM   #23
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Originally Posted by TubbaBlubba View Post
You mean Tintin in Congo? Hergé himself did not like it, and only wrote it because the king of Belgium asked him to after visiting Congo.
Yeah. And there was no way he could refuse to add the racist stereotypes and dubious treatment of the african characters as ignorant savages because...?
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Old 2nd November 2011, 11:47 AM   #24
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Originally Posted by TubbaBlubba View Post
You mean Tintin in Congo? Hergé himself did not like it, and only wrote it because the king of Belgium asked him to after visiting Congo.
Where did you hear that?

From what's on Wiki, his publisher/editor of the magazine suggested the Congo theme for educational/propaganda reasons. I don't see any reports that Hergé was not happy about this assignment at the time; he expressed regret and embarrassment later in life about it, but claimed it was a youthful error (which would suggest that when he wrote it, at age 24, he was not opposed to it).
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Old 2nd November 2011, 12:04 PM   #25
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Originally Posted by elgarak View Post
Where did you hear that?

From what's on Wiki, his publisher/editor of the magazine suggested the Congo theme for educational/propaganda reasons. I don't see any reports that Hergé was not happy about this assignment at the time; he expressed regret and embarrassment later in life about it, but claimed it was a youthful error (which would suggest that when he wrote it, at age 24, he was not opposed to it).
Swedish radio, I could be misrecalling. The "youthful mistake" explanation sounds more convincing.
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Old 3rd November 2011, 02:58 AM   #26
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Hergé's racism was out of ignorance (and he mostly overcame it later), not malice. That's a lot more forgiveable IMO.


Originally Posted by Chaos View Post
Those Belgians are crazy.


Last edited by Morrigan; 3rd November 2011 at 03:01 AM.
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